Thursday, December 18, 2008
Thursday Video Post!
I watched Synecdoche, NY last Friday, alone and at 7am. It's written and directed by Charlie Kauffman, and though I in no way feel like I understood it, I definitely thought it was a beautiful movie. Go see it. I plan on watching it one more time, and then maybe I'll give you my full review.
Choo-Choo
Saturday, December 13, 2008
Winter Break is Back!

In other news, best quote from work tonight: Drunk girl says, "What?! I'm not on the list? But Kelly put me on the list... HE, LIKE, WORKS AT PANERA BREAD! He's like 40! Is there anyone 40 here tonight? Maybe they, like, know him." She was completely serious and very mad at me, eventually some sucker bought her a ticket.
Wednesday, December 10, 2008
Thursday video post!
Beached II from Keith Loutit on Vimeo.
Metal Heart from Keith Loutit on Vimeo.
Bathtub II from Keith Loutit on Vimeo.
I first saw still images skewed to create an effect of a small scale set a few years ago in a photo magazine called Contact Sheet. These still images struck me immediately, they forced me to question what I was seeing--had I not read the blurb at the beginning of the magazine I would have no doubt thought they were small scale reproductions--and they just simply looked fucking cool. Earlier this year I saw a video in Wholphin Magazine that used the same effect with film. Then I found Keith Loutit's Vimeo site; I'm not sure if he's the guy from the two magazines, but his videos are super cool (he uses a variety of techniques including tilt-shift and time-lapse photography). Personally, I don't think there's much more to these videos than what you see, a refreshing look at normal landscapes, but they are fun to watch.
My favorite is Metal Heart, it brings back memories of being five years old in Michigan and obsessing over monster trucks. Watching them on TV, playing with mini versions of the trucks, and imagining crushing other smaller lesser cars with them. I think I still have some Bigfoot kids books buried deep in my parent's basement.
-Choo-Choo
The Question: What Good Have I Done Today?
My alarm goes off at 6:45, I then press the "snooze" button and sleep for 15 more minutes. I get out of bed, let the dog out, let the dog in, feed the dog. I then, very slowly, get dressed in the living room. I always attempt to make breakfast every morning, but usually as soon as I get started I realize that getting dressed took me twice as long as I had hoped--why do alarm clocks have snooze buttons? If only I could get those fifteen minutes back. I frantically get my things together and head to class. After class, I head home and check my email. I then spend the time between work and class avoiding homework, and wasting time on the internet. People say that TV rots your brain, I don't have cable so the internet will have to do. Between 3pm and 6pm I head to work (work doubles as my social life) and get home around midnight. I avoid my homework for another hour or so, then finally do as little of it as quickly as possible. I get back in bed around 3am, fall asleep pretty easily, and the process starts again.
I should note that weekends are usually used to catch up on sleep.
Not a very interesting routine, and certainly a routine I would someday like to change (why am I writing this blog, when I should be writing a paper about this blog?). If there is one thing obvious in my daily routine, it is that I am the instigator of my own short comings. So much time, so little done.
-Choo Choo
Tuesday, December 9, 2008
I Change My Clothes in the Living Room
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ERNEST HEMINGWAY
INTERVIEWER
Could you say something of this process? When do you work? Do you keep to a strict schedule?
HEMINGWAY
When I am working on a book or story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and you know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
The Paris Review, Issue 18, 1958
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Check it out, Daily Routines
Monday, December 8, 2008
Curving a bullet is it real?
The Shit List
1. Independence Day
2. The Rock
3. Con Air
4. Speed
5. Twister
7. National Treasure
8. The Core
9. Total Recall
10. Pootie Tang
That felt good.
-Choo-Choo
! count: 5
? count: 6
Blah. Blah. Blah.
I'm getting bored with this blog. I'm genuinely interested in my current subject: the significance of text combined with images; but I'm feeling like this blog is becoming more of a chore than an actual place for the thoughts and ideas of Mick. I feel like I should be more selfish, and I've been reading some Ayn Rand, so I ought to be more selfish. Tonight at 2:30 am, just before I take a four hour nap and head to class, I'm shifting from a relatively focused blog to one with no established direction. Goodbye Glorified Monsters: An Anxious Look Into How Text Transforms Images, and welcome Glorified Monsters: The Life and Art of Mick.
Thanks Ayn!
-Choo-Choo
Saturday, December 6, 2008
Book Covers
Friday, December 5, 2008
Glorified Monsters
The extraordinary book Where the Wild Things Are was just ten sentences coupled with illustrations. I have a great interest in how text compliments artwork, Glorified Monsters will explore that interest.Glorified Monsters is just a blog. Written by me, then re-written by me, and read by few. We'll see what happens, thanks for looking.
-Choo Choo













